diva href="http://pixhost.ws/avaxhome/big_show.php?/avaxhome/fc/21/000c21fc.jpeg"img src="http://pixhost.ws/avaxhome/fc/21/000c21fc_medium.jpeg"/a/div br divbTexas - Southside (1989)/b br EAC Rip | FLAC, IMG+CUE, LOG | 280 MB | 45,05 min. | Covers br iLabel: Mercury Records | Rock, Alt.Rock | Recorded 1989 | RAR 3% Rec./i /div br tabletrtd"/tdtdTexas is a Scottish rock band from Glasgow, Scotland. They were founded by Johnny McElhone (formerly of the bands Altered Images and Hipsway) in 1986 and had their performing debut in March 1988 at Scotland's University of Dundee. They took their name from the 1984 Wim Wenders movie Paris, Texas. Their musical sound went from blues rock on their debut album Southside via the blue-eyed soul of White on Blonde to the disco pop of Red Book. iSouthside is the debut album of the Scottish band Texas. The album was released in March 1989./idiva href="http://en.wikipedia.org/wiki/Texas_(band)#Discography" biWikipedia/i/b /a/div/tdtd"/td/! tr/table
Part: 2 : Robert pete williams - the sonet blues story
diva href="http://pixhost.ws/avaxhome/big_show.php?/avaxhome/3a/23/000c233a.jpeg"img src="http://pixhost.ws/avaxhome/3a/23/000c233a_medium.jpeg"/a/div br divbRobert Pete Williams - The Sonet Blues Story/b br FLAC (image+cue+log+covers) | 239 Mb | RS br iReleased: 2005 ( Recorded: 1973) | Label: Universal (986 925-5) | Genre: Blues | Releaser: garet jax/i/div br br tabletrtd“/tdtdAmong the last of the great old country blues players discovered in the '60s, Robert Pete Williams was easily the most unique. His ragged griot approach to the blues paid little attention to standard rhymes or blues forms, allowing him to spin personalized stories of tremendous emotional power, even when he was working off of traditional pieces, and his songs take on the feel of a nakedly open journal. The recordings collected here were originally released as part of Samuel Charters' Legacy of the Blues series in 1973, and they carry an incredible intimacy, like all of Williams' work. They also! feature some beautiful and ghostly acoustic slide guitar playing, a skill Williams picked up from his friend and fellow blues festival performer Mississippi Fred McDowell. Two songs in particular from this set encapsulate Williams' unique approach to country blues, the riveting and autobiographical "Angola Penitentiary Blues" and the beautifully poetic "You're My All Day Steady and My Midnight Dream," which, even though it makes use of stock blues lines, manages to be a deeply personal song that is every bit as haunting as it is lovely. Williams' songs are so eccentrically his that it is difficult to imagine anyone else doing them, and there is no more singular performer in the history of the country blues. Harry Oster's 1961 field recordings of Williams, Angola Prisoner's Blues, if you can find it, would be a logical place to start exploring Williams' body of work, but everything he recorded has the same insular intimacy, and this set is as good as any other in demonstrat! ing this one of a kind bluesman's fascinating appeal. - iSteve! Leggett (AMG)/i/tdtdâ€/td/tr/table
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