Cannonball adderley - them dirty blues (1960) Cannonball adderley - cannonball's bossa nova (1962)

Part: 1 : Cannonball adderley - them dirty blues (1960)
Cannonball Adderley - Them Dirty Blues
Genre: Jazz / hard bop, soul-jazz
Year: 1960
Label: Riverside
MP3 @320kbps
RS.com: 128mb, with covers
WinRar File Recovery: 5%Cannonball-adderley.com:
"Them Dirty Blues," which is CANNONBALL ADDERLEY's name for the deep-down number that closes this LP, is also a completely apt and highly descriptive title for this second album by Adderley's sensational quintet. For the soulful spirit of the blues—the real, low, wonderfully emotion-stirring, and downright dirty blues that has always been and always will be the bedrock of jazz—is the basic message of this group. Which is certainly one important reason for the breathtaking surge of popular approval that carried the band, within a few short months after its formation in mid-1959, to a position well up in the front ranks of current jazz.Allmusic.com:
Recorded in early 1960, Them Dirty Blues contains two classic jazz compositions: Nat Adderley's "Work Song" and Bobby Timmons' "Dat Dere," the sequel to "This Here." This was alto saxophonist Cannonball Adderley's second quintet with brother Nat Adderley (cornet), and features Bobby Timmons on piano (who plays on four tracks and was replaced by Barry Harris on the remaining five), Sam Jones on bass, and Louis Hayes on drums. Them Dirty Blues was originally released on Riverside until Adderley made the switch to Capitol where he brought several master tapes with him, including these sessions. The CD reissue contains an alternate version each of "Work Song" and "Dat Dere."
Personnel / Cannonball Adderley Quintet:Cannonball Adderley (alto saxophone)
Nat Adderley (cornet)
Bobby Timmons, Barry Harris (piano)
Sam Jones (bass)
Louis Hayes (drums)Recorded at Reeves Sound Studio, New York, New York on February 1, 1960 and at Ter-Mar Recording Studio, Chicago, Illinois on March 29, 1960.Tracks:
1. Work Song (Adderley, Nat/Brown, Oscar Jr.)5:07
2. Jeannine (Pearson, Duke) 7:18
3. Easy Living (Rainger, Ralph/Robin, Leo) 4:234. Them Dirty Blues (Adderley, Cannonball) 7:12
5. Dat Dere (Timmons, Bobby) 5:31
6. Del Sasser (Jones, Sam) 4:43
7. Soon (Gershwin, George/Gershwin, Ira) 5:37
8. Work Song [Alternate Take] 5:51
9. Dat Dere [Alternate Take] 5:30Code:http://[CENSORED].com/files/132813671/catdb.part1.rar

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Part: 2 : Cannonball adderley - cannonball's bossa nova (1962)
Cannonball Adderley - Cannonball's Bossa Nova
Genre: Jazz, bossa nova, soul-jazz
Year: 1962
Label: Riverside
Time: 45:41
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RS.com: 112mb, with covers and scans
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A pleasant date recorded in late 1962 with South American musicians the Bossa Rio Sextet of Brazil. Cannonball is heard alongside Sergio Mendes on piano, future Weather Report percussionist Dom Um Romao, and featured on five cuts is Paulo Moura on alto saxophone with Pedro Paulo on trumpet. Unfortunately this release contains little fire, as Adderley didn't get much rehearsal time with these musicians. Combined with the repetitious nature of the Bossa Nova these proceedings can get tedious. This session was originally released on Riverside, but Adderley took several master tapes (including this one) when he made his move to Capitol.
Amazon:
Florida-born alto saxophonist Julian Cannonball Adderley distinguished himself as a member of Miles Davis's groups (he's the sultry alto on Kind of Blue) and with the hard-bop ensembles he co-led with his cornet-playing brother Nat. This recording, produced by Orrin Keepnews in 1963 for the Riverside label, features Adderley performing bossa nova-based compositions. Anchored by Brazilian composer and pianist Sergio Mendes's band (with alto saxophonist Paulo Moura), Adderley's singing sax lines float over the sunny Rio rhythms, owing more to Benny Carter than Charlie Parker. The renditions of Antonio Carlos Jobim's standards "Corcovado" and "Once I Loved" and Joao Donato's "Minha Saudades" are comparable to Stan Getz's Legendary records from the same period, showing anew that jazz and South American music have learned much from each other. This 1962 project marked the American recording debut of Brazilian masters Sergi! o Mendes and Dom Um Romao in a program of great jazz-inflected sambas by Antonio Carlos Jobim, Joao Donato and others. Includes two alternate takes.
Personnel:
Cannonball Adderley (alto saxophone)
Bossa Rio Sextet of Brazil:Sergio Mendes (piano)Durval Ferreira (guitar)Octavio Bailly (bass)Pedro Paulo (trumpet)Paulo Moura (alto saxophone)Dom Um Romao (drums)Tracks:
1. Clouds (Einhorn, Ferreira) 4:51
2. Minha Saudade (Joao Donato) 2:22
3. Corcavado (A.C. Jobim) 6:43
4. Batida Diferentes (Einhorn, Ferreira) 3:27
5. Joyce's Sambas (Einhorn, Ferreira) 3:12
6. Groovy Sambas (Sergio Mendes) 4:59
7. O amor em paz (Once I Loved) (DeMoraes, Gilbert, Jobim) 7:48
8. Sambops (Einhorn, Ferreira) 3:34
9. Corcavado (alt take) 5:38
10. Clouds (single version) (Einhorn, Ferreira) 2:42Code:http://[CENSORED].com/files/130725345/ca168cbn.part1.rar

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Cannonball adderley quintet - plus (1961) Red garland - red's good groove (1962)

Part: 1 : Cannonball adderley quintet - plus (1961)
Cannonball Adderley Quintet - Plus (1961)
Genre: Jazz / hard bop, soul-jazz
Label: Riverside
Total time: 55:19
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For this CD reissue of a Riverside date, altoist Cannonball Adderley's 1961 Quintet (which includes cornetist Nat Adderley, pianist Victor Feldman, bassist Sam Jones and drummer Louis Hayes) is joined by guest pianist Wynton Kelly on five of the eight selections, during which Feldman switches quite effectively to vibes. The music falls between funky soul-jazz and hard bop, and each of the performances (particularly "Star Eyes" and "Well You Needn't") is enjoyable. The CD adds a new alternate take of "Lisa" and the previously unissued "O.P." to the original program.Amazon reviewer:
If you like Cannonball you'll love this CD. It features the quintet that made the superb (and sadly unattainable) At the Lighthouse album. But the great thing about Plus is that the recording quality is absolutely superb so what you lose in live atmosphere you gain in excellent sound - Cannon's alto never sounded better. Every track is strong with some great melodic material and strong solos. I have about 12 of his albums and I rate this one of the best.
Cannonball-adderley.com:
About one year, six months and twenty-three days before the date of this particular recording, the CANNONBALL ADDERLEY Quintet produced twelve minutes and twenty-six seconds of musical explosiveness entitled This Here. As we all know, the stir that followed was considerable. A hit record, a great swing over to "soul" music (a type of music that Ben Webster's been playing for thirty years without knowing it!), and a great new wave of popularity for Julian Adderley and his group.Actually, though, we bystanders shouldn't have been too surprised by all this. The large gentleman from Florida has been roaring through the music business saying "You know what I mean ?" and showing us what he meant ever since that notable mid-1950s evening in New York when, as an unknown, he strode upon the bandstand at the Cafe Bohemia and proceeded to blow the walls down. Cannon had brought real freshness to the scene then, brought it again with his recording of This Her! e, did it once again with his subsequent efforts in the area of big-band music (African Waltz, etc.) and, I am convinced, has done so yet another time with the recording contained in this jacket.Ever since the recording of Bobby Timmons' This Here, Cannonball has been deeply associated with the "soul" aspect of jazz : music that is rustic in design, semi-religious in flavor, heavily rooted in the blues. With this album, I feel, Cannon shows us yet another aspect of the Adderley emotional tract. The "soul" is still decidedly there, but these tracks seem to indicate that some attractive new seasonings have been added to the boiling pot, the end result being Adderley music that's just a little happier, a little lighter, a little more humorous than before. If this is possible! I think that after hearing the group on old standbys like Well You Needn't and Star Eyes, and on Victor Feldman and Torrie Zito's intriguing Lisa, you'll understand! exactly what I mean, and that you'll agree with me.This, ! to me, i s certainly one excellent reason for the " Plus" in the album title. But since, of course, I hadn't yet heard the music when I was first asked to write these notes, I found that word fairly mysterious. When I asked Orrin Keepnews of Riverside, he allowed as how there were several reasons for it. Aside from the obvious fact that, on the album, Wynton Kelly was added to the group (and in addition to the just-noted musical reason I found on listening to the record), he brought up another interesting point. This album was recorded just after the group returned from a lengthy and highly-successful European tour. Thus you are hearing musicians fresh from a steady stint of playing together night after night, playing these tunes, molded and jelled into a tightly-knit creative organization. Lines fresh in their minds, a strong feeling for the tunes and for each other-this is definitely a plus factor for any musical organization.With regard to the aforementioned Wynton K! elly "plus"-the addition of Kelly (who happens to be a close musical and personal friend of virtually all involved here) allows us to hear, in addition to the remarkable Mr. Kelly himself, the full instrumentation of the Adderley Quintet plus Victor Feldman's tasty vibes. When the horns drop out on portions of tunes, the remaining rhythm quartet is delightfully-forceful. (One friend of mine described it as "sort a like a hairy Modern Jazz Quartet"- with no offense intended, I'm sure.) As for the full group: Cannon excites you with every key on his axe; Nat plays better than ever before (as he seems to have been doing each time out for quite a while now) ; Wynton is zestfully melodic, as ever; Vic makes the transition from instrument to instrument beautifully; Louis Hayes' fine taste shines through like the guiding light that it is; and Sam Jones walks on, twelve feet tall.Arriving Soon, the album-opener, is a new Eddie "Cleanhead" V! inson original. The blues-singer and altoist had been off the ! scene fo r a few years, but Cannon ran across him in Kansas City and extracted a few choice numbers from him, including this haunting theme. (I don't know about the state of Your pictorial imagination, but during Cannon's dramatic opening statement I can see John Cassavetes staring from a West 67th Street rooftop.) New Delhi is a Vic Feldman tune with a beautiful melody line, excellent vibes, and prettily-muted work by Nat. Lisa, recorded before by Feldman on his own Riverside album, "Merry Olde Soul" (RLP 866; Sterec 9866), is given slightly faster treatment this time, which seems to make Lisa a more exciting and sinister chick ; and Cannon tells the tale beautifully. Thelonious Monk' Well You Needn't is taken at a brisk clip, lends itself to this rather rollicking treatment, and displays an impressive feeling of band unity. The Brothers Adderley are exceptionally moving on Star Eyes where, after an opening Latin vamp, Cannonball almost explodes into the me! lody, leading Nat into the soaring release. Winetone, a blues line by Kelly, draws its title from Chicago disc jockey Daddy-o Daylie's special pronunciation of the composer's name. The date's only unfamiliar tune for the group - actually, Wynton worked it up in the studio - it comes off in a way that suggests that, when things are feeling right and going right, both total spontaneity and pre-set organization are likely to be equally effective.There is little more to say. Whether you be a deep dyed fan or not ,I think you'll really like this album. The Adderley excitement is there , the Adderley "soul" is there , and then there's that new something-else -that Cannonball Adderley Quintet PLUS factor. You know what I mean ?Personnel:
Cannonball Adderley (alto sax)Nat Adderley (cornet)Victor Feldman (vibraphone and piano) [tracks 2-5]
Wynton Kelly (piano) [tracks 2-5, 8]
Sam Jones (bass and cello)Ron Carter (bass) [track 8]
Louis Hayes (drums)
Tracks:
1. Arriving Soon (8:11)
2. Well, You Needn't(6:25)
3. New Delhi (6:54)
4. Winetone (7:00)
5. Star Eyes (7:04)
6. Lisa (6:37)
7. Lisa [alternate take] (6:59)
8. O.P. (5:13)Code:http://[CENSORED].com/files/132558675/caq83p.part1.rar

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Part: 2 : Red garland - red's good groove (1962)
Red Garland - Red's Good Groove (1962)
Genre: Jazz / hard bop
MP3 @320kbps
RS.com: 79mb, with coverAllmusic.com:
Although this is a one time studio blowing session, things obviously gelled quickly for everyone as they got underway on this 1962 recording by Red Garland, which features both Blue Mitchell and Pepper Adams in prominent supporting roles. The pianist gets things off on the right foot with his relaxed blues "Red's Good Groove," while Mitchell, who had already recorded a number of dates as a leader himself, delivers a confident yet understated trumpet solo. Baritone saxophonist Pepper Adams contributed the oddly named "Excerent!" (a title which somewhat puzzled the original liner note writer Peter Drew but likely refers to the tendency of some Orientals to substitute the letter "r" for "l," long before such humor would be considered politically incorrect and unlikely to appear on a CD jacket), it's a hard bop tune that isn't the least bit reminiscent of the Far East. The core of the date consists of several standards, conclud! ing with a driving take of "Falling in Love With Love." Bassist Sam Jones and drummer Philly Joe Jones supply the fluid rhythm that powers the quintet throughout this very enjoyable session.Personnel:
Pepper Adams, Sax (Baritone)
Red Garland, Piano
Philly Joe Jones, Drums
Sam Jones, Bass
Blue Mitchell, TrumpetRecorded March 22, 1962 at Reeves Sound Studios, NYCTracks:
1. Red's Good Groove (R.Garland) 8:21
2. Love Is Here to Stay (G.Gershwin/I.Garshwin) 4:43
3. This Time the Dream's on Me (Arlen/Mercer) 5:53
4. Take Me in Your Arms (Alfred/Fritz/Mitchell) 5:35
5. Excerent! (P.Adams) 6:05
6. Falling in Love With Love (Rodgers/Hart) 6:05Code:

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Red garland - it's a blue world (1958) The Cranberries - Greatest Hits (2008)

Part: 1 : Red garland - it's a blue world (1958)
Red Garland - It's a Blue World (1958)
Genre: Jazz / hard bop
Label: Prestige/OJC
Time: 39:17
MP3 @320Kbps
RS.com: 79mbAllmusic.com:
Of the miles of Red Garland sessions recorded in the late '50s, some of the tapes didn't see the light of day until many years later. This session, except for "Crazy Rhythm," first appeared in the early '70s, and is typical of Garland's trio work of the '50s, evoking a mid-century nightclub atmosphere from Rudy Van Gelder's studio with the perfectly gauged help of bassist Paul Chambers and drummer Art Taylor. "Since I Fell for You" and "Teach Me Tonight" are taken at relaxed tempos, and after Garland's trademark block chords in the left hand and octaves in the right hand take care of the themes, they ride easily and winningly. "Crazy Rhythm" zips along at the usual steeplechase pace, with a fluid bebop solo from Garland and some agile bowing from Chambers (Chambers also gets an unusually lengthy bowed solo on "This Can't Be Love"), and the title track closes the CD reissue on a jaunty note. Gar! land fans -- and for that matter, fans of Vince Guaraldi, whose chord voicings very much resemble those of Garland -- need not hesitate.Amazon.com reviewer:
This seems to be one of the lesser known Red Garland Trio efforts, and whether you already like Red or don't know his work yet, this recording is WELL worth getting to know. If you dig Miles and Trane, you may know Red without knowing his name, but you've probably remarked, quietly backing up the frontmen, a piano player with a distinctive touch that gives his piano an almost bell-like tone. That'd Red Garland. Red's piano is pure sugar, and very well complimented by Paul Chambers bass-- often bowed so well that it begins to sound like a human voice singing. This in one of those records that'll become an old friend, taking up permanent residence in your CD player.
Personnel:
Paul Chambers, bass
Red Garland, piano
Art Taylor, drumsRecorded at the Van Gelder Studio, Hackensack, New Jersey on February 7, 1958.Tracks:
1 This Can't Be Love (8:30)
2 Since I Fell for You (12:43)
3 Crazy Rhythm (3:27)
4 Teach Me Tonight (9:03)
5 It's a Blue World (5:34)Code:http://[CENSORED].com/files/71730510/LardRagDenBW.rar

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Part: 2 : The Cranberries - Greatest Hits (2008)

Password: sharedmp3.net

Artist: The Cranberries
 Album: Greatest Hits
 Genre: Rock
 Bitrate: VBR Kbits/s
 Playtime: 45:14 min
 Tracks: 12
 Rip Date: Nov-23-2008
 Street Date: Nov-??-2008
 Label: Universal Music Projets Speciaux
 
 01 Zombie                                                   05:10
 02 I Still Do                                               03:18
 03 Dreams                                                   04:34
 04 Ode To My Family                                         04:32
 05 Disappointment                                           04:19
 06 No Need To Argue                                         02:55
 07 Salvation                                                02:24
 08 Free To Decide                                           04:26
 09 War [CENSORED]                                                03:51
 10 Animal Instinct                                          03:33
 11 Delilah                                                  03:34
 12 Baby Blues                                               02:38
 
 
 
 Best of compilation sold exclusively in .FR
 

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