VA-Planeta_Trance_Session_Episode_2-2CD-2008-BFHMP3ARTiST....: VAALBUM.....: Planeta Trance Session Episode 2BiTRATE...: 200 kbps avgSOURCE....: CDLABEL.....: UniversalGENRE.....: TranceRiP DATE..: 2008-09-05ENCODER...: LAME 3.97 -V2 --vbr-newTRACKLiSTCD 1/2 :1.Mark Sherry Pres. Outburst - A Star Within A Star (Mark9:44Sherry's Trance Energy Intro Mix)2.Nebula - Heartbeat 6:533.Gilbert Renoir Pres. Dyor ft. Ken Spector - Follow Me7:27(Beverly Hills Mix)4.Marco V & Sander Van Doorn - Organic 2:125.Rank 1 Vs. Jochen Miller - And Then2:556.The Gift - Blue Lights (Orginal Mix) 6:337.Nic Chagall - Sky Blue (Orignal Mix) 7:138.Marcel Woods - Lemon Tree (Mr Pits House Parade Remix) 8:369.Joop - On Top Of Things6:0710. Danjo - As The Tables Turn 3:2011. Ernesto Vs. Bastian - Stranger in Paradise 3:0012. Airscape - Sosei (Short Edit)2:58CD 2/2 :1.Alex M.O.R.P.H - Walk The Edge (Alex M.O.R.P.H B2B Woody Van10:27Eyden Intro Mix)2.Brian Cross - Paradise (Orginal Extended)5:293.Ali ! Wilson - Quiver7:084.Marco V - Sessions (Marco V Dub) 6:155.Thomas Penton Pres. Stripwalker - Wackjob (Thomas Penton 5:32Remix)6.Dennis Sheperd En Cold Blue - Prime Of Life7:237.Rubix - Backspace (Orginal Mix)6:298.Ronald Van Geldern - Embarace Me (Rank Remix)6:159.Jochen Miller - Lost Connection2:0510. Dyor - Emotions5:1611. Cygnus X - Superstring (Rank 1's Radio Mix)2:4912. Svenson & Gielen - Twisted Energy (Radio Edit) 2:56total:135:02min203.35 megsNOTES:Njoy! A!http://[CENSORED].com/files/142936245/VA-Planeta_Trance_Session_Episode_2-2CD-2008-BFHMP3.part1.rarhttp://[CENSORED].com/files/142936247/VA-Planeta_Trance_Session_Episode_2-2CD-2008-BFHMP3.part2.rarmp3reactor.org - Download daily updated free mp3 albums
Part: 2 : Miles davis - blue note volumes 1 & 2 (1952-54 & 1953)
Miles Davis - Blue Note Volumes 1 (1952-54) [RVG]
Genre: Jazz / hard bop
Label: Blue Note
Recording Date: May 9, 1952-Mar 6, 1954
MP3 @320kbps86mb with covers & scans
File Recovery: 5%Cduniverse.com:
The three sessions Miles Davis organized for Alfred Lion of Blue Note Records in 1952, 1953 and 1954 rank among the most fully realized of his early works preceding the Prestige and Columbia recordings. MILES DAVIS, VOLUME 1 compiles the first and third sessions on one disc: the latter a quartet in which Miles is the featured horn, the former a sextet where the trumpeter shares the front line with trombone innovator J.J. Johnson, and a young Jackie McLean.The 1952 date features bebop innovators Oscar Pettiford and Kenny Clarke who provide a subtle style of locomotion--fast and light on swingers, shimmering and warm on ballads. "Chance It" is a brisk bopper with built-in rhythmic breaks, but the band is most effective on medium up selections such as the lyric folk tune "Dear Old Stockholm," the wonderful blues line "Donna" and Gillespie's classic "Woody 'N You." The ballads are especially choice, focusing on Davis' extraordi! nary timbre and vocal style of phrasing, particularly a luminous, rueful reading of "Yesterdays," and a wistful "How Deep Is The Ocean."The 1954 date with pianist Horace Silver, bassist Percy Heath and a fiery Art Blakey puts Miles in a Jazz Messengers-styled groove, and from the funky stops and starts of "Take Off" through the blazing changes of "The Leap," his long lines are masterfully developed and full of rhythmic drive. But the more moderate tempos better suit Davis and Silver's sense of interplay, such as the moanin' blues "Weirdo" and a sly reading of Monk's "Well You Needn't." The closing ballad "It Never Entered My Mind" is a masterpiece, where Silver answers Davis' elegiac muted horn with rippling arpeggios and Bud Powell-like harmonic gravity.AMG:
Miles Davis' recordings of 1951-1954 tend to be overlooked because of his erratic lifestyle of the period and because they predated his first classic quintet. Although he rarely recorded during this era, what he did document was often quite classic. The two sessions included on this CD (which includes three alternate takes) are among the earliest hard bop recordings and would indirectly influence the modern mainstream music of the 1960s. The first session features Davis in a sextet with trombonist J.J. Johnson, altoist Jackie McLean, pianist Gil Coggins, bassist Oscar Pettiford, and drummer Kenny Clarke; highlights include "Dear Old Stockholm," "Woody 'n You," and interpretations of "Yesterdays" and "How Deep Is the Ocean." The remaining six numbers showcase Davis in a quartet with pianist Horace Silver, bassist Percy Heath, and drummer Art Blakey, really stretching out on such numbers as "Take Off" and "Well, Yo! u Needn't." However, on "It Never Entered My Mind," Davis' muted statement (his only one on this set) looks toward his treatments of ballads later in the decade.Personnel (#1-9):Miles Davis (trumpet); Jackie McLean (alto saxophone); J.J. Johnson (trombone); Horace Silver, Gil Coggins (piano); Oscar Pettiford, Percy Heath (bass); Kenny Clarke, Art Blakey (drums).(#10-15):
Miles Davis (trumpet); Horace Silver (piano); Percy Heath (bass); Art Blakey (drums)Tracks:
1. Dear Old Stockholm (4:12)
2. Chance It (3:03)
3. Donna (3:13)
4. Woody 'n' You (3:25)
5. Yesterdays (3:45)
6. How Deep Is The Ocean? (4:38)
7. Chance It [alternate take] (2:55)
8. Donna [alternate take] (3:11)
9. Woody 'n' You [alternate take] (3:23)
10. Take Off 3:40)
11. Lazy Susan (4:02)
12. The Leap (4:31)13. Well You Needn't (5:23)14. Weirdo (4:45)15. It Never Entered My Mind (4:02)
Total Time = 57:28Code:
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~Miles Davis - Blue Note Volume 2 [RVG]
Genre: Jazz / hard bop
Label: Blue Note
Recording Date: Apr 20, 1953
MP3 @320kbps
62mb with covers & scans
File Recovery: 5%Cduniverse.com:
Like VOLUME 1, this CD features arrangements in the order that they were recorded. VOLUME 2 contains the second Blue Note session, while VOLUME 1 focuses on the first and third.This 1953 date was the most inspired, overtly beboppish ...an ambitious showcase for modern jazz's greatest composers (J.J. Johnson, Ray Brown, Bud Powell, Jimmy Heath, Walter Fuller and Dizzy Gillespie), and a remarkable rhythm section (drummer Art Blakey, bassist Percy Heath, and the obscure pianist Gil Coggins).A dynamic front line of Davis, trombonist J.J. Johnson and the bassist's brother Jimmy Heath on tenor saxophone, gives each tune big band weight and texture. J.J. Johnson's lilting "Kelo" and tragic "Enigma" proceed from the orchestral tradition of BIRTH OF THE COOL, and his taut velvety tenor trombone counterpoint contrasts nicely with Davis' burnished midrange and brassy cry. Tenor man Jimmy Heath seems to take the Basie and Gillespie big bands as the jumpin! g off point for his jazz classic "C.T.A.," and ends his own solo with an affectionate nod to Lester Young.Miles' ballad turn on "I Waited For You" is one of his most alluring performances, while his effortless swing on "C.T.A." and "Ray's Idea" sums up his innovations in blues phrasing. But his solo and arrangement on "Tempus Fugit" are simply transcendent. This Bud Powell anthem for modernists generates a challenging set of symphonic variations, driven along by the emotional intensity of Art Blakey. The joy with which Miles and Blakey morph between swing and Afro-Cuban rhythms, blues and bop phrasing, is what jazz is all about.Personnel: Miles Davis (trumpet); Jimmy Heath (tenor saxophone); J.J. Johnson (trombone); Gil Coggins (piano); Percy Heath (acoustic bass); Art Blakey (drums)Tracks:
1. Kelo (3:18)
2. Enigma (3:22)
3. Ray's Idea (3:43)
4. Tempus Fugit (3:49)
5. C.T.A. (3:32)
6. I Waited For You (3:29)
7. Kelo [alternate take] (3:26)
8. Enigma [alternate take] (3:25)
9. Ray's Idea [alternate take](3:50)
10. Tempus Fugit [alternate take] (3:57)
11. C.T.A. [alternate take] (3:15)
Total Time: 39:07Code:
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