Wednesday, May 20, 2009

Beautiful morning & wonderful night - romantic fantasies Art blakey - mosaic (1960) [rvg]

Part: 1 : Beautiful morning & wonderful night - romantic fantasies
Beautiful Morning & Wonderful Night Romantic FantasiesAlbum Download By [CENSORED]Album Download By MediaFireTrack  Download
01. Blue Chip Orchestra - Bolero Azul02. Blue Chip Orchestra - Unicorn03. Johannes Schmoelling - Matjora is still allive04. Tri Atma - Grotte05. Jens Fischer - Gentle Touch06. Sayama - Yin Tao Part II07. Scarlett Rivera ...
Part: 2 : Art blakey - mosaic (1960) [rvg]
Art Blakey - Mosaic [RVG Edition]
Genre: Jazz / hardbop
Year: 1960
Label: Blue Note
Time: 39:39
MP3 @320kbps
RS.com: 129mb, with covers and scans
WinRar File Recovery: 5%Cduniverse.com:
Freddie Hubbard (trumpet) and Wayne Shorter (saxophone) are joined by Curtis Fuller's trombone to expand Art Blakey's Jazz Messengers to a sextet for MOSAIC. The result is a huge sound that is powerfully propelled by Blakey's forceful drumming. The deep, soulful grooves here support complex ensemble arrangements with concise solo spots for the horns and pianist Cedar Walton. In all, this is classic '60s era Messengers in their prime. Although Shorter was the group's musical director and chief contributor of new material during his tenure, Hubbard, Walton and Fuller each offer excellent compositions on this outing. Walton's boisterous "Mosaic" gets the opening slot and is a quintessential Messengers number. Blakey's trademark shuffle groove highlights Hubbard's gospel-flavored "Down Under" before the sextet gears up for Shorter's masterful "[CENSORED]ren Of The Night," one of his most dynamic compositions that ! gets a spirited reading here. Fuller's minor "Arabia" is a hard swinging track that captures the Middle Eastern flavor of its namesake. Finally, Hubbard's intricate "Crisis" is a stunning arrangement that offers alternating passages of reflective horn harmonies and banging accents for a hard bopping grand finale.AMG:
This is the one that started it: Mosaic, recorded in 1961, was the first recording of Art Blakey's Jazz Messengers as a quintet, a setting he kept from 1961-1964. The band's front line was trumpeter Freddie Hubbard, trombonist Curtis Fuller, and tenor saxophonist Wayne Shorter; Cedar Walton played piano and Jymie Merritt (a criminally underappreciated talent) was the bassist. Everything on this set was written by the musicians in the band. Walton wrote the burning title track; its blazing tempo and Eastern modes were uncharacteristic of the Jazz Messengers sound, but it swings like mad. Hubbard contributed two pieces to the album, the first of which is the groover "Down Under," with its blues gospel feel. The bandmembers dig their teeth into this one, carrying the blues theme to the breaking point as Hubbard fills in between. But the horn charts are so sharp, so utterly devoid of excess, that they won't let the listener go. Shorter's "[CENSORED! ]ren of the Night" is a fine example of the tunes he would compose for the Miles Davis Quintet a bit later. While it's a hard bop swinger to be sure, his use of modality and counterpoint between the soloist and the front line is exemplary and his solo bites hard and fast as he tears up and down the registers of the horn. Fuller's "Arabia" is a basic blues groover, and the playing is inspired throughout. The disc closes with Hubbard's "Crisis," which opens with Merritt and Blakey ushering in the rest of the band. Walton first plays a repetitive minor-key riff. When the horns enter, Walton keeps the theme, Merritt moves over a bit to dig in between the lines, and Blakey keeps it all anchored because in this tune rhythm is everything. Hubbard was in many ways a soul-jazz composer before there was such a thing, and the motifs in this tune prove it — as does his beautiful blowing in his solo. This is a fine recording and should be owned by ! any Blakey fan. The Rudy Van Gelder reissue came out in 2006 a! nd, amaz ingly, features no bonus material. Recorded in one day in October of 1960, the band recorded nothing extra — and there were no alternate takes! The sound, as on all the Van Gelder reissues, is painstakingly wonderful.
Personnel:
Art Blakey (drums)
Wayne Shorter (tenor saxophone)
Freddie Hubbard (trumpet)
Curtis Fuller (trombone)
Cedar Walton (piano)
Jymie Merritt (bass)Recording information: Van Gelder Studios, Englewood Cliffs, New Jersey (1960). Recorded on October 2, 1961. Includes liner notes by Leonard Feather.Tracks:
1. Mosaic (8:11)
2. Down Under (5:26)
3. [CENSORED]ren Of The Night (8:47)
4. Arabia (9:08)
5. Crisis (8:33)Code:http://[CENSORED].com/files/131839864/928-4.part1.rar

Bill evans - portrait in jazz (1959) Nirvana - Nevermind (1991)

Part: 1 : Bill evans - portrait in jazz (1959)
Bill Evans - Portrait In Jazz
Genre: Jazz / cool. post-bop
Year: 1959
Label: Riverside/OJC
Time: 52:10
MP3 @320Kbps
RS.com: 117mbReviewer:
Portrait in Jazz was the first of only four (official) albums made by what Evans fans know as "the first trio" - the one with Scott La Faro and Paul Motian - which introduced a new approach to the music of a jazz piano trio. Whereas the conventional trio tended to feature the pianist as a 'star soloist' with bass and percussion essentially as 'accompanists' with a fixed and limited role, Evans, La Faro and drummer Paul Motian aimed to develop more of a sense of equal and spontaneous interplay. Scott La Faro was the right man in the right place: his virtuoso technique and strong musical personality enabled him to play the more active, assertive (but compatible) role Evans wanted for the group. By the time this trio played its famous sessions at The Village Vanguard (Live at the Village Vanguard and Waltz for Debby) this 'collective improvisation' was well developed. Portrait in Jazz being the first album by the trio, the roles within the grou! p are sometimes still fairly conventional, with bass and drums functioning as a `rhythm section' with the pianist spotlighted as `leader'. However, there's a strong sense of discovery and enthusiasm which, I think, gives the music a greater freshness and vitality than the subsequent albums by this trio and it's those qualities, along with the sensitive, alert musicianship of the trio which makes this one of the most absorbing and enjoyable of Evans's many albums.
Part of its appeal is also the excellent choice of material, but much of the interest lies in what Evans in particular does with it. Often this is mainly a matter of the unusual chord voicings and adjustments of rhythm and phrasing he gives to a familiar tune, which open up wider harmonic and rhythmic perspectives for improvising. You hear this from the opening bars of the first number, "Come Rain or Come Shine" and it's evident also in the slower ballads, a haunting version of "Spring is Here" and a probing reading of "When I fall in Love". Notice for example how, on the latter very familiar tune, Evans's slightly 'off-centre' harmonies create a different kind of emotional tone from the suave, sentimental one which singers usually give it. Among the other high spots are the famous up-tempo version of "Autumn Leaves", with its infectious swing and lively interplay between piano and bass, similarly propulsive readings of! "What is this Thing Called Love" and "Some Day My Prince Will Come" and a marvellous "Blue in Green" on which the rapport between Evans and his partners is especially close.
This is a classic piano jazz album, and one that never seems to lose its freshness. Highly recommended.Cduniverse.com:
PORTRAIT IN JAZZ introduced the justly acclaimed Bill Evans Trio, the innovative little group featuring bassist Scott LaFaro and drummer Paul Motian that would forever change standards of jazz playing, introducing a new kind of swing based on a flexible sense of time and interplay. Evans had already established himself on EVERYBODY DIGS BILL EVANS and, of course, the Miles landmark KIND OF BLUE. Now it was time to share the wealth.PORTRAIT IN JAZZ represents the beginning of this process, which wouldn't see full flower till the freewheeling Village Vanguard sessions more than a year later. In the meantime there are energetically abstract takes on "Come Rain Or Come Shine" and "What Is This Thing Called Love?" as well as two equally fine takes of "Autumn Leaves"--one is a CD bonus track--on which Evans swings his heart out. The disc closes with two takes of the delicately somber "Blue In Green," a collaboration with Miles also featu! red on KIND OF BLUE and a welcome reminder of Evan's considerable skills as a composer.Bill Evans Trio:Bill Evans (piano);Scott LaFaro (bass);Paul Motian (drums).Recorded at Reeves Sound Studios, New York, New York on December 28, 1959. Originally released on Riverside (1162).
Tracks:
1. Come Rain Or Come Shine2. Autumn Leaves - (take 1)3. Autumn Leaves - (mono, bonus track)4. Witchcraft5. When I Fall In Love6. Peri's Scope7. What Is This Thing Called Love?8. Spring Is Here9. Someday My Prince Will Come10. Blue In Green - (take 3)11. Blue In Green - (take 2, bonus track)Code:http://[CENSORED].com/files/130463431/10431.part1.rar
Part: 2 : Nirvana - Nevermind (1991)
Password: sharedmp3.net
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The sleepers-comeback special-2008-vag Va - unforgettable-2cd-2008-mod

Part: 1 : The sleepers-comeback special-2008-vag
Password: mov-world.net
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 █ ARTIST: The Sleepers                                                      █
 █ TITLE: Comeback Special                                                   █
 █ LABEL: Pravda                                                             █
 █ GENRE: Rock                                                               █
 █ GRABBER: EAC (Secure Mode)                                                █
 █ ENCODER: LAME 3.97 / -V2 --vbr-new                                        █
 █ QUALITY: 209 Kbps Avg / 44.1 KHz / Joint Stereo                           █
 █ PLAYTIME: 0h 42min 19sec total                                            █
 █ SIZE: 63.69MB                                                             █
 █ RELEASE DATE: 2008-02-26                                                 ▐▌
 █ RIP DATE: 2008-11-21                                                     █
 █▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▀▀

 ▄▄▄ [ TRACK LIST ] ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄ ▄▄ ▄▄ ▄
 █
 █ 01. Comeback Special                                                   4:44
 █ 02. Loaded                                                             3:03
 █ 03. Filthy Ways                                                        2:40
 █ 04. Jailbait                                                           3:59
 █ 05. Dirty Cop                                                          3:04
 █ 06. She Is My Drinking Problem                                         3:03
 █ 07. Fix Your Stereo                                                    2:58
 █ 08. Smooth Brain                                                       4:39
 █ 09. Detroit Ride                                                       2:44
 █ 10. Crime Of The Century Blues                                         4:51
 █ 11. Abby Stone                                                         3:47
 █ 12. Deal With You                                                      2:47

 ▄▄ [ RELEASE NOTES ] ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄ ▄▄ ▄▄ ▄
 █
 █ If Jerry Lee Lewis had married Appetite For Destruction instead of his
 █ cousin, his kids would've been The Sleepers. Whether it is stranger to marry
 █ an album than a cousin is debatable, but the fact that The Sleepers play some
 █ lowdown, dirty, rock n roll is not. Coming from Chicago with one foot in the
 █ blues and the other kicking the ass of bands that forgot what rock music is,
 █ they have created a sound that is at once both familiar and unique. Combining
 █ the fire of the MC5 and Clash, the swagger of The Faces and Stones, and the
 █ atomic energy of The Stooges and AC/DC, The Sleepers sound is hard to ignore
 █ and impossible to forget. The thunderous backbone of John Fields (drums) and
 █ Chris Cormier (bass) lays a foundation for Kevin Bannon's driving riffs and
 █ pounding rhythms. Tony Manno's nasty licks cut through the rhythms, recalling
 █ the days when guitarists were gods, and remind anybody in earshot that gods
 █ still walk among us. And above it all, Tom Richied's gritty vocals drive the
 █ dirty sound of this band right into the mind of anybody lucky enough to
 █ experience it.
 █
 █ If CBGB had been a honky tonk, The Sleepers would've been the house band.
 █
 █ Don't forget to support the artists! We did.

 ▄▄▄ [ GROUP NEWS ] ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄ ▄▄ ▄▄ ▄
 █
 ░ Questions? Comments? Contact us.
 ▒
 ▓ Greets to all who put out quality and those who have helped along the way.
 █
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Part: 2 : Va - unforgettable-2cd-2008-mod
Password: mov-world.net
               Musical Over Dose
              is proud to present


     Rls Name   : VA - Unforgettable

     Rls Date   : Nov-21-2008
     Street Date: Nov-21-2008
     Rls Type   : Sampler
     Company    : Universal Music
     Genre      : Oldies
     Source     : CDDA
     Tracks     : 40


     Encoder    : LAME 3.97 V2: preset standard
     Quality    : VBRkbps / 44.1kHz / Joint-Stereo
     Bitrate    : avg. 180kbps


            cd1

         01 Nat King Cole - Unforgettable                        03:30
         02 Nina Simone - My Baby Just Cares For Me              03:38
         03 Andy Williams - Music To Watch Girls Go By           02:32
         04 The Mamas & The Papas - Dream A Little Dream Of Me   03:15
         05 Dusty Springfield - The Look Of Love                 03:33
         06 Chris Montez - The More I See You                    02:41
         07 Doris Day - Que Sera Que Sera                        02:05
         08 The Sandpipers - Guantanamera                        03:11
         09 Stan Getz, Astrud Gilberto, Joaeo Gilberto, .. -     05:23
            The Girl From Ipanema
         10 Louis Prima - Just A Gigolo                          04:44
         11 Astrud Gilberto Crickets - Sing For Anamaria         01:35
            (Os Grillos)
         12 Sergio Mendes & Brasil '66 - Mas Que Nada            02:33
         13 Lee Hazlewood - These Boots Are Made For Walking     03:16
         14 Mel Torme - A Nightingale Sang In Berkley Square     05:05
         15 Tom Jones - Thunderball                              02:53
         16 Jerry Keller - Here Comes Summer                     02:10
         17 Vic Damone - On The street Where you Live            02:44
         18 The Platters - Smoke Gets In Your Eyes               02:39
         19 Henry Mancini - Moon River                           02:44
         20 Righteous Brothers - Unchained Melody                03:37

            cd2

         01 Aretha Franklin - I Say A Little Prayer              03:34
         02 Shirley Bassey - Diamonds Are Forever                02:42
         03 Patsy - Cline Crazy                                  02:45
         04 Walker Brothers - The Sun Ain't Gonna Shine          03:02
            (Anymore)
         05 Engelbert Humperdinck - Can't Take My Eyes Off You   03:37
         06 Bobby Vinton - Blue Velvet                           02:50
         07 Al Martino - Volare                                  02:59
         08 Bert Kaempfert & His Orchestra - Strangers In The    03:23
            Night
         09 Bobby Hebb - Sunny                                   02:46
         10 Jack Jones - Wives And Lovers                        02:30
         11 Bing Crosby - Pennies From Heaven                    03:09
         12 Billie Holiday - That Ole Devil Called Love          02:55
         13 Glen Campbell - Wichita Lineman                      03:05
         14 Marty Wilde - Sea Of Love                            02:27
         15 Connie Francis - Lipstick On Your Collar             02:19
         16 Tony Christie - (Is This The Way To) Amarillo        03:12
         17 April Stevens - Teach Me Tiger                       02:22
         18 Ella Fitzgerald - Someone To Watch Over Me           03:16
         19 Dionne Warwick - Walk On By                          02:52
         20 Louis Armstrong - What A Wonderful World             02:19



                                                                ________
                                                                121:52 Min
                                                                   157,3 MB


     Classic sampler with 40 Unforgettable Songs