diva href="http://pixhost.ws/avaxhome/big_show.php?/avaxhome/a9/a1/000ba1a9.jpeg"img src="http://pixhost.ws/avaxhome/a9/a1/000ba1a9_medium.jpeg"/a/divbr divbMuddy Waters - Folk Singer/bbr EAC Rip | FLAC (Tracks), LOG, CUE | Blues | 1964, 1993 | 206 MB | Artwork Includedbr 1993 MFSL Gold Edition | Label: Mobile Fidelity Sound Lab/MCA/Chess | Number: UDCD 593 | RAR 3% Rec. | RS.combr iRepost/i/div
Part: 2 : Rapidshare joe henderson - mode for joe (1966)
divimg src="http://i26.tinypic.com/rkv66v.jpg" border="0" alt=""br br bJoe Henderson - Mode For Joe (1966)/bbr MP3 ~ 320Kbps ~ RS.com ~ 117mbbr Genre: Jazz / hard bop, post-bopbr Recording Date: Jan 27, 1966br Time: 49:27br Label: Blue Notebr br bAllmusic.com:/bbr Tenor saxophonist Joe Henderson#39;s fifth and final early Blue Note album is his only one with a group larger than a quintet. Henderson welcomes quite an all-star band (trumpeter Lee Morgan, trombonist Curtis Fuller, vibraphonist Bobby Hutcherson, pianist Cedar Walton, bassist Ron Carter and drummer Joe Chambers) and together they perform originals by Henderson (including quot;A Shade of Jadequot;), Walton and Morgan (quot;Free Wheelin#39;quot;). The advanced music has plenty of exciting moments and all of the young talents play up to the level one could hope for. [Originally released on LP in 1966, Mode for Joe has been reissued on CD several times over; the 2004 Blue Note reissue remastered by Rudy Van Gelder i! s recommended, although the difference in sound is minimal and the bonus version of quot;Blackquot; has been placed at the bottom track list instead of as an alternate in the middle.br bbr Cduniverse.com:/bbr Given the date of this release and the band lineup, one might assume that this is a straight-up hard -bop album. However, this 1966 Joe Henderson record--featuring trumpeter Lee Morgan, trombonist Curtis Fuller, vibraphonist Bobby Hutcherson, pianist Cedar Walton, bassist Ron Carter, and drummer Joe Chambers--is a great example of modern jazz at its best. MODE FOR JOE was recorded during a time of sweeping musical changes due to developments in free jazz, soul jazz, and even early experiments with fusion. It was a time when the bluesy and funky leanings of hard-boppers were giving way to more individualized contemporary approaches. One of the best examples of this shift, MODE FOR JOE sounds more like the experimental work of Branford Marsalis than the groovy musings of! Art Blakey and the Jazz Messengers.br br The last track on MO! DE FOR J OE, quot;Free Wheelin#39;,quot; is the only dyed-in-the-wool hard-bop tune heard here. Other than that, this outing#39;s mostly up-tempo songs serve as vehicles for solos. Henderson himself proves that the template for players such as Marsalis, Joe Lovano, and Joshua Redman was invented a generation earlier, as evidenced on quot;A Shade of Jade,quot; quot;Black,quot; and others, making this one of the sax legend#39;s most intriguing albums.br br bPersonnel:/bbr Joe Henderson (tenor saxophone);br Lee Morgan (trumpet);br Curtis Fuller (trombone);br Bobby Hutcherson (vibraphone);br Cedar Walton (piano);br Ron Carter (bass);br Joe Chambers (drums)br br Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on January 27, 1966. Originally released on Blue Note (BLP 4227).br br bTracks:/bbr 1. A Shade Of Jade (7:07)br 2. Mode For Joe (8:02)br 3. Black (6:51)br 4. Caribbean Fire Dance (6:41)br 5. Granted (7:20)br 6. Free Wheelin' (6:39)br 7. Black [alternate take, CD only]! (6:47)br br div style="margin:20px;margin-top:5px" div style="margin-bottom:2px"Code:/div hrcode style="margin:0px" dir="ltr"br /codehr /div/div
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