diva href="http://pixhost.ws/avaxhome/big_show.php?/avaxhome/cd/8f/000b8fcd.jpeg"img src="http://pixhost.ws/avaxhome/cd/8f/000b8fcd_medium.jpeg"/a/divbr divbJohn Lee Hooker - The Healer/bbr ibMobile Fidelity Sound Lab UDCD 567, released 1992/b/ibr iRepost/ibr Lossless (EAC+FLAC) | Blues | 1989, 1992 | 218 MB/div
Part: 2 : The mills brothers-chronological vol 3-2001-dgn
Password: mov-world.net
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[dmc]
Doom Generation Noises
────[rlsnfo]────────────────────────────────────────────────────────────────────
Artist : The Mills Brothers
Title : Chronological Vol.3
Year : 2001
Label : n/a
Genre : Jazz
Type : Album
────[ripnfo]────────────────────────────────────────────────────────────────────
Ripped on: 03.01.2009
Ripper : DGN
Quality : avgkbps / 44,1kHz / Joint-Stereo
Size : 63,7 MB
Playtime : 63:18 min
Grabber : Eac
Encoder : Lame 3.97 V2 New
────[trax]──────────────────────────────────────────────────────────────────────
01. Put On Your Old Grey Bonnet 02:45
02. Sleepy Head 03:08
03. Lazybones 03:06
04. Nagasaki 02:28
05. Sweet Georgia Brown 02:46
06. Old Fashioned Love 02:24
07. Miss Otis Regrets 03:31
08. Sweeter Than Sugar 02:07
09. Ida Sweet As Apple Cider 02:44
10. My Gal Sal 03:06
11. Some Of These Days 02:45
12. I've Found A New Baby 02:57
13. Limehouse Blues 02:32
14. Rockin' Chair 03:41
15. Tiger Rag 01:54
16. There Goes My Headache 02:11
17. Out For No Good 02:28
18. Lulu's Back In Town 02:11
19. Sweet Lucy Brown 02:50
20. Don't Be Afraid Totell Your Mother 02:48
21. Since We Fell Out Of Love 02:51
22. Moanin' For You 03:23
23. What's The Reason (I'm Not Pleasin' You) 02:42
────[Release Note]──────────────────────────────────────────────────────────────
An astonishing vocal group that grew into one of the longest-
lasting oldies acts in American popular music, the Mills
Brothers quickly moved from novelty wonders to pop successes
and continued amazing audiences for decades. Originally billed
as "Four Boys and a Guitar," the group's early records came
complete with a note assuring listeners that the only musical
instrument they were hearing was a guitar. The caution was
understandable, since the Mills Brothers were so proficient at
recreating trumpets, trombones, and saxophones with only their
voices that early singles like "Tiger Rag" and "St. Louis
Blues" sounded closer to a hot Dixieland combo than a vocal
group. And even after the novelty wore off, the group's
intricate harmonies continued charming audiences for decades.
The four brothers were all born in Piqua, Ohio -- John, Jr. in
1910, Herbert in 1912, Harry in 1913, and Donald in 1915. Their
father owned a barber shop and founded a barbershop quartet as
well, called the Four Kings of Harmony. His sons obviously
learned their close harmonies first-hand, and began performing
around the area. At one show, Harry Mills forgot his ka --
the group's usual accompaniment -- and ended up trying to
emulate the instrument by cupping his hand over his mouth. The
brothers were surprised to hear the sound of a trumpet
proceeding from Harry's mouth, so they began to work the
novelty into their act, with John taking tuba, Donald trombone,
and Herbert a second trumpet. The act was perfect for
vaudeville, and the Mills Brothers also began broadcasting over
a Cincinnati radio station during the late '20s.
After moving to New York, the group became a sensation and hit
it big during 1931 and early 1932 with the singles "Tiger Rag"
and "Dinah" (the latter a duet with Bing Crosby). Dumb-founded
listeners hardly believed the notice accompanying the records:
"No musical instruments or mechanical devices used on this
recording other than one guitar." Though the primitive audio of
the era lent them a bit of latitude, the Mills Brothers indeed
sounded exactly like they'd been backed by a small studio band.
(It was, in essence, the flip side of early material by Duke
Ellington's Orchestra, on which the plunger mutes of Bubber
Miley and Tricky Sam Nanton resulted in horns sounding exactly
like voices.)
The exposure continued during 1932, with appearances in the
film The Big Broadcast and more hits including "St. Louis
Blues" and "Bugle Call Rag." John, Jr.'s sudden death in 1936
was a huge blow to the group, but father John, Sr. took over as
bass singer and Bernard Addison became the group's guitarist.
Still, the novelty appeared to wear off by the late '30s;
despite duets with Ella Fitzgerald ("Dedicated to You") and
Louis Armstrong ("Darling Nelly Gray"), the Mills Brothers'
records weren't performing as well as they had earlier in the
decade. All that changed in 1943 with the release of "Paper
Doll," a sweet, intimate ballad that became one of the biggest
hits of the decade -- twelve weeks on the top of the charts,
and six million records sold (plus sheet music). The group made
appearances in several movies during the early '40s, and hit
number one again in 1944 with "You'll Always Hurt the One You
Love."
The influence of middle-of-the-road pop slowly crept into their
material from the 1940s; by the end of the decade the Mills
Brothers began recording with traditional orchestras (usually
conducted by Sy Oliver, Hal McIntyre or Sonny Burke). In 1952,
"The Glow Worm" became their last number one hit. The group
soldiered on during the '50s, though John, Sr. semi-permanently
retired from the group in 1956. A move from Decca to Dot
brought a moderate 1958 hit, a cover of the Silhouettes' "Get a
Job" that made explicit the considerable influence on doo-wop
exerted by early Mills Brothers records. As a trio, Herbert,
Harry and Donald continued performing on the oldies circuit
until Harry's death in 1982, and Herbert's in 1988. The last
surviving sibling, Donald, began performing with the third
generation of the family -- his son, John II -- until his own
death in 1999. ~ John Bush, All Music Guide
http://www.amazon.com/Chronological-Vol-3-Mills-
Brothers/dp/B000058APW
────[Group Notes]───────────────────────────────────────────────────────────────
Dgn is around since 1998...
After a few years, a few rippers who left, a few who joined, people
greeting,people yelling, people threatening, people helping, people
watching, we're still enjoying our aime: Let ppl listen to what they
are gonna buy b4 they pay a single penny.
There have been also some people and groups that helped out during the
last few years, maybe it's because of them that (against all odds) we
are still releasing and doing well, those know who they are, and we'll
thank forever.
We remind our beloved public, we're against all kind of distrubution,
don't search our rips neither in your preferred XDcc channel, nor in
your local 127.0.0.1 p2p program, We do not distribute ! But it's not
nice to buy when you do not know what you're buying.
As a matter of fact, DGN is a private group, and do not need rippers,
fast or slow shells, traders, t1+ sites, couriers, prewhores, and hw
suppliers, we need only a nice chalet in Switzerland/Canada or a Villa
in the Caribbean sea where to listen to some chillout music.
If you can supply any of those, for free, feel free to contact us for
an application form.
Remember to support the artists.
DGN Crew, 2003
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Nfo file by [dmc]/DGN using Elton's and Morgoth's tools
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