Password: sharedmp3.net
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Funny Girl
The Original Soundtrack Recording (1968)
noot rip/192kbps/CBR/lame 3.92/stereo/ID tags/14 tracks
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http://www.amazon.com/Funny-Girl-Original-Soundtrack-Recording/dp/B0000024PF
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# # # # # ABOUT REPOSTS AND FILLS # # # # #
1.Your requests are filled faster if you ask for the missing
SEGMENTS within ONE reply message. People requesting
whole tracks will have to wait until I have the bandwidth.
2.NO FULL ALBUM reposts until after 2 weeks.
http://www.mp3-faq.org/tips/segments.html
http://www.mp3-faq.org/faq5.html#5.1
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Tracks:
01 Overture
02 I'm the Greatest Star
03 If a Girl Isn't Pretty
04 Roller Skate Rag
05 I'd Rather Be Blue Over You
06 His Love Makes Me Beautiful
07 People
08 You Are Woman, I Am Man
09 Don't Rain on My Parade
10 Sadie, Sadie
11 The Swan
12 Funny Girl
13 My Man
14 Finale
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Posted/ripped by ..... : Nööt
Encoding method ..... : yEnc
Posted to ........... : alt.binaries.sounds.mp3.soundtracks
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NFO created 03 June 2005
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Part: 2 : Ruthie foster - the phenomenal ruthie foster (blue corn music - 2007)
Ruthie Foster - The Phenomenal Ruthie Foster (Blue Corn Music - 2007) Flac | EAC Extract | Cue-Log | 16 bit 44.1kHz | 268 MB | Covers Ruthie Foster's the newest voice in old-school soul. Her fifth album is a remarkable flashback to the genre's '60s and '70s heyday, framing her warm butter-and-cayenne-pepper singing with organ, electric piano, shimmering guitar textures, and strong backbeats. That sound, along with her strength as a song interpreter rippling with beauty on Lucinda Williams's "Fruits of My Labor," stunningly emotional on Son House's cautionary Delta spiritual "People Grinnin' in Your Face" and her fine-tuned social politics, makes Aretha Franklin, Roberta Flack, and Nina Simone reasonable artistic references. For the 42-year-old Texan, this historic approach is new. Until now she's been an obscure acoustic-guitar-wielding singer-songwriter. And, indeed, the evocative lyricism of her own tunes "Harder Than the Fall," "Heal Yourself," and "Beaver Creek Blues" i! s clearly the work of an experienced craftsperson. But the performances on this elegant album, made under the tutelage of imaginative and empathetic Austin-based producer Malcolm Welbourne, live up to its boastful title, and seem destined to bring Foster the larger audience she deserves. Amazon.com -- Ted Drozdowski
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